"I hope I have a heart," I began, rising; for, really, I could not go on in this way, sitting down away back at the lunch table.
But the door opened, and Hortense Rieppe came into the Woman's Exchange.
It was at me that she first looked, and she gave me the slightest bow possible, the least sign of conventional recognition that a movement of the head could make and be visible at all; she didn't bend her head down, she tilted it ever so little up. It wasn't new to me, this form of greeting, and I knew that she had acquired it at Newport, and that it denoted, all too accurately, the size of my importance in her eyes; she did it, as she did everything, with perfection. Then she turned to Eliza La Heu, whose face had become miraculously sweet.
It sounded from a quiet well of reserve music; just a cupful of melodious tone dipped lightly out of the surface. Her face hadn't become anything; but it was equally miraculous in its total void of all expression relating to this moment, or to any moment; just her beauty, her permanent stationary beauty, was there glowing in it and through it, not skin deep, but going back and back into her lazy eyes, and shining from within the modulated bloom of her color and the depths of her amber hair. She was choosing, for this occasion, to be as impersonal as some radiant hour in nature, some mellow, motionless day when the leaves have turned, but have not fallen, and it is drowsily warm; but it wasn't so much of nature that she, in her harmonious lustre, reminded me, as of some beautiful silken-shaded lamp, from which color rather than light came with subdued ampleness.
I saw her eyes settle upon the flowers that I had brought Eliza La Heu.
"How beautiful those are!" she remarked.
"Is there something that you wish?" inquired Miss La Heu, always miraculously sweet.
"Some of your good things for lunch; a very little, if you will be so kind."
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